Sunday, 28 February 2021

Where are you all coming from?

   I don't update this blog much these days which also means I only pop in now and then.  So when I decided to check out my current stats I got one helluva shock. 

 Normally I am doing well if I get over a hundred views per day but for some reason I am getting several hundred pageviews. Not that I'm complaining but I do have to ask: What on Earth is going on? Are you all bots or something?

  Just so you have something to look at here's a picture of some of my model collection:


 

 


Wednesday, 17 February 2021

Heavy Metal Cover Girls...Up A Dark Alley

 In this series I post a load of metal/rock album covers that share a loose theme. One of the things I keep saying is that if an idea has been done once it will be done twice. Now that may be down to the artist going "Hey. I like this cover so how about I do my own version of it." but more often it's because the band & design team want to create a particular mood and there are certain tropes which work really well. There's a reason I've posted so many album covers about angels and warrior women, after all. 

  Sometimes, though, it is a case of two artists arriving at the same point entirely by coincidence.  You'll see what I mean in a minute. 

So the theme I'm going with tonight is "Cover Girl + Dark Alley" and right away I know what you're thinking.

Don't worry, I don't post that sort of cover.  Now let's take a trip into the back streets and see who we might find. 

One thing I do enjoy is bands that try and have some shared elemts across their album covers. Maiden have Eddie, Megadeth had Vic Rattlehead and US melodic rockers Bugzy have... actually we never do get her name.  probably not Bugzy though. That would be weird. 

 I love the fact that these three covers tell a little story.

 Bugzy - Plan B (USA 2017)

 Oh noes. no tickets left. Our devoted fanisn't going to let that stop her

 Bugzy - Centre of Attraction (USA - 2018)

 
Sadly the attempt to sneak in by the backdoor is busted.
Damn, that place has serious security.

Bugzy - She's the One (USA 2018)

 The band take pity on our gorgeous redhead, probably because she's a gorgeous redhead, and not only
 let her in but get Red to model for their next album cover. I love a happy ending. 
 

Nocny Kochanek - Hewi Metal (Poland 2015)


 We seem to have stryed into a couple having a cute moment. Not sure why they're having it in a filthy alley but whatever.
 Let's leave them alone and move on. 
 

Slam Alley - 21 Fire (USA 2009)

 Why are you wearing a bikini/ This isn't even a beach. The beach is miles away. Also, it's midnight.  Put some clothes on before you freeze to death. 

 

Rumble Syndicate - Face Down Bottoms Up

 Huh. Forensic scientists didn't look like this in my day. Shouldn't she be wearing gloves or something? 

Murder District -Дерись! EP (Russia 2016)

 Here's a tip for would-be muggers, gangsters and other degenerates...
if the girl you ambush starts smiling like this then back away slowly and possibly consider taking up a new line of work.  
 Go see if the Post Office is hiring. 
Or get you teeth kicked out. see if I care. 

(Actually, is it just me or does she look a bit like a young Cynthia Rothrock? )
 

Remember I was talking about "if an idea has been done once it will be done twice."
Here's a perfect illustration of that.  
We have a very specific set of elements and yet two completely different artists have hit on the same formula independently.  I think that's fascinating.
I'm going to take a guess at the reasoning and I think it goes like this:
"We're a thrash band so we need something violent on the cover and we also want a hot babe
But since violence against women is totally uncool, let's have her be the one killing people!"


Legal Tender - Lust In Demons EP (USA 2013)
 
 
Project Pain - Thrashed To Kill (NLD 2015)
So we have two different underdressed axe-murderers roaming the streets. 
Now I'm scared.
Can we go home please? 

Hope you enjoyed this post and why not go check out the bands?
 
THAT'S ALL FOLKS. 

 

Sunday, 7 February 2021

The Metal Project: Metal In My Head

 

The Metal Project

 I don't do New Years Resolutions but if I did, one of them would be to try and post more on this blog in 2021.   you will find what I've put up already. 

So here we are with another entry in The Metal Project which is my long-term attempt to gather as many Metal Songs About Metal in one place.  If you pop over to this page : SONGLIST  You'll find what I have already posted and since there's about 1600 of them that should keep you busy for a while. Or just check out the playlist on my Youtube channel:  METAL PROJECT PLAYLIST

 Anyway, on with the show.  Today I'm sharing a clutch of promo videos. As always, I hope you find something to like. 

 

Wizard - Metal In My Head (Germany 2021)


Credit to: Masacre Records

 

Raven - Metal City  (UK 2020)


 Credit to: STEAMHAMMER RECORDS

 

Sylent Storm - Patriots Of Metal (USA 2018)

Credit to: NWOTHM FULL ALBUMS
 

 Iron Saviour - Raise The Flag Of Metal (Germany 2020) 


Credit to: AFM RECORDS

 

Durbin - The Prince Of Metal  (USA 2020)


Credit: FRONTIERS MUSIC

 

Please go check out and support the Channels listed above.

 

That's All Folks.

 

Monday, 1 February 2021

Been reading: John Cosper - The Ballad of Cousin Elvira (2020)

 

   The Amazon desciption:

"In the golden age of grappling, the ladies took a back seat to no one. Champion Mildred Burke worked the main event every night for nearly two decades. Throughout the 1940s, no one pushed the champ to the limit quite like Elvira Snodgrass. A redheaded firebrand from Varnado, Louisiana, Gutherine Fuller left the farm life behind for the glitz and glam of the squared circle. As Elvira Snodgrass, she catapulted to fame alongside Burke and the other queens of the ring. Elvira won the fans over with her “aw shucks” demeanor and scufflin’ style. Then she broke their hearts, transforming into rule-breaking heel who would do anything to win. Once lost to history because of her early death, the tale of Elvira Snodgrass is a rollicking ride through one of the most exciting eras in professional wrestling and the inspirational journey of a fiercely independent woman.  From her surprise early title win as Betty Nichols to the tragic car accident that ended her career, you’ve got a ringside seat to rediscover one of the biggest and brashest stars of the 1940s. Just remember to stay in your seat and keep your hands to yourself. This is one lady you do not want to cross"

Betwen the blurb and the cover picture showing wrestling legend Mildred Burke getting tied by a cheerful looking redhead, I was immediately sold.

 I have to admit that although I'd heard of Elvira Snodgrass - really, who is ever going to forget that name? - I didn't really know much about her and had always assumed she was one of many women who had a career in wrasslin' but never made it into the top ranks. 

 As this book makes it very clear, Elvira Snodgrass was kind of a big deal and may have been one of the biggest draws of the 1940s, male or female. 

  Gutherine Fuller grew up in a dirt poor part of Louisiana and left husband and family behind to find a better life as a lady wrestler. After several name changes Gutherine became  Elvira Snodgrass a "scuffling" hillbilly grappler with a mean right hook and a tendency to beat up opponents and referees alike. Even when she glammed up in later years Elvira was still a one woman wrecking crew and all this made her the #2 woman wrestler in America, right behind Mildred Burke, and guaranteed to put bums in seats wherever she went. Elvira Snodgrass and Mildred Burke headlined all across the country which is something that seems astonishing these days, when it's only recently  that the WWE have allowed their latest generation of women wrestlers into the headline slots. 

  So yes, this book does go some way to restoring the repuation of a woman that was a genuine pioneer but seems to have slipped through the cracks of wrestling history. 

 If I have one criticism of "The Ballad..." it's that the book does tend to lean heavily towards a listing of Elvira's travels and opponents and it would have been nice to get some more personal moments from the lady herself or her opponents.  Still, from little snippets here or there, you do get a sense of  what a bonafide tough nut this interesting lady was. My favourite spot in the entire book is when she's in her hotel, heading back to her room, the lift doors open and Elvira spots a fan who'd laid hands on her during that night's match.  Dragging the man into the lft, she proceeds to have words with him, leaving the foolish fan shaken and alarmed without her ever laying a single finger on him.   

 Definitely a formidable woman and I think I'd have liked to meet her.  

 To sum up: maybe a bit dry but if you are interested in old-school wrestling, you might find this well worth a read. As a bonus you get a good selection of vintage  photos you won't see anywhere outside a newspaper library

                                                                                              The back cover. 

 

That's all folks

 

 

 

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